Craft and evidence, in equal measure
I write screenplays and conduct entertainment-business research for producers, studios, and investors, and build on narrative instinct as much as on data.
Most entertainment IP doesn’t fail in the pitch room. It fails afterward, once the money’s moved and the story or the market thesis can’t hold up to real scrutiny. I work with producers, studios, investors, and financiers to stress-test both before that happens: screenplay development and entertainment-business research built to catch the weak point while it’s still affordable to fix.
“A script doesn’t fail on the page. It fails when reality enters the room.”
Screenwriting sits at the intersection of creativity and constraint.
It’s not just about ideas, it’s about decisions that survive collaboration, production, and audience scrutiny.
I focus on building narratives that hold their shape when theory meets reality.
Let's Talk Before the Money Moves
Story And the Business Case Behind It…
If you’re developing a film or series, or deciding whether to back one, and want a collaborator who treats the story and the business case as one problem, we should talk. I work with producers, studios, investors, and financiers to pressure-test the work at the stage where it’s still cheap to fix, before the script locks, and before the capital moves.